The eight-episode season follows the prolonged travails of the titular Bridgerton household, primarily via eldest daughter Daphne (Phoebe Dynevor), who has reached the age the place marriage and discovering a worthy suitor are of paramount concern.
Along with her prospects threatened by scandal, she enters right into a discount with the extremely eligible and outwardly dashing Duke of Hastings (Regé-Jean Web page), a good friend of Daphne’s brother, who is set to stay a bachelor however prepared to take part in a charade in an effort to make her extra fascinating.
Naturally, the 2 are actually drawn to one another, a state of affairs they show reluctant to confess. But their ties characterize solely one of many soapy parts that encompass the Bridgerton household and their prolonged circle, developments chronicled by the mysterious gossip columnist Woman Whistledown, who narrates the proceedings by way of the nonetheless highly-recognizable voice of Julie Andrews.
Sequence creator Chris Van Dusen (a veteran of Rhimes’ “Scandal” and “Gray’s”) does a reputable job juggling all the various plot threads, erecting one new hazard to throw into the trail of Daphne and the Duke after one other.
There is a sluggishness to the pacing, nevertheless, because the will-they-or-won’t-they contortions pile up on varied fronts. For anyone who has learn or watched many Jane Austen variations, it is onerous to flee the familiarity of that situation, even with the extra trendy spin.
Betting on pedigreed producers is perhaps a sensible funding in the long term, and “Bridgerton’s” lustier tackle early-Nineteenth-century romance serves as a modest level of distinction. Regardless of the century, although, for a present that is all about searching for love, the collection would not do almost sufficient to earn it.
“Bridgerton” premieres Dec. 25 on Netflix.